NASA’s Curiosity rover vehicle that landed on Mars on August 6th, has sent back the first colour images of the planet’s dusty yellow/orange landscape. The image was taken with the camera on the rover’s still retracted robotic arm, from behind the dust shield designed to protect the camera. The dust shield will be removed, promising better images, once the dust kicked-up by … [Read more...]
NASA’s Curiosity rover sends back first colour images from Mars
NASA’s Curiosity rover vehicle that landed on Mars on August 6th, has sent back the first colour images of the planet’s dusty yellow/orange landscape. The image was taken with the camera on the rover’s still retracted robotic arm, from behind the dust shield designed to protect the camera. The dust shield will be removed, promising better images, once the dust kicked-up by … [Read more...]
NASA’s Curiosity rover sends back first colour images from Mars
NASA’s Curiosity rover vehicle that landed on Mars on August 6th, has sent back the first colour images of the planet’s dusty yellow/orange landscape. The image was taken with the camera on the rover’s still retracted robotic arm, from behind the dust shield designed to protect the camera. The dust shield will be removed, promising better images, once the dust kicked-up by … [Read more...]
Samyang creates cinema versions of 14mm, 24mm and 35mm lenses
Korean lens maker Samyang has created cinema versions of its well-regarded 14mm F2.8, 24mm F1.4 and 35mm F1.4 manual focus lenses. They are distinguished by racks on their focus and aperture rings for use with cinema rigs, aperture control, calibration in T-stops rather than F-stops, and scales that are marked to be read from the side of the camera. The three lenses are … [Read more...]
Samyang creates cinema versions of 14mm, 24mm and 35mm lenses
Korean lens maker Samyang has created cinema versions of its well-regarded 14mm F2.8, 24mm F1.4 and 35mm F1.4 manual focus lenses. They are distinguished by racks on their focus and aperture rings for use with cinema rigs, aperture control, calibration in T-stops rather than F-stops, and scales that are marked to be read from the side of the camera. The three lenses are … [Read more...]

